no exceptions. Dream, crazy, philosophical, dense, reflexive, full of quotes that would be worth memorizing. But even erotic, adventurous, funny, violent, narrative. Needless to say anything about the plot, nor discounted evoke parallels with the myth of Oedipus. It 's just Murakami, with his characters almost to the limit of the human, poised in situations "At World's End", which react to events remote with a candor and spontaneity unsettling.
E 'so that your loyalty is won Murakami: After the first two lines are already trapped in the coils in the cerebral convolutions of the story and the characters, so then when you find yourself immersed in an atmosphere unlikely to say the least, in contact with characters equally extravagant, are all entirely consistent, and in all your lucidity, you'd be ready to swear that, of course, is just the way it had to go.
One last personal detail of little interest to the community of readers at the end of a book by Murakami, I always need to wait at least a couple of days to start my next reading. The density of the story, characters and situational must be diluted, it must have time to dispose of and return to assume the contours more "normal" of any narrative novel.
Title: Kafka on the Shore
Author: Haruki Murakami
Publisher: Einaudi
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